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This Week in Movies – 8/11/08

In Theaters:

  • Tropic Thunder – Ben Stiller, Jack Black, and Robert Downey Jr. act as actors acting out a jungle war movie that becomes more than an act. I’d watch it just for Robert Downey Jr.
  • Henry Poole is Here – Luke Wilson’s neighbors flock to his house to be healed by the miracle stain. I’ll be flocking to the couch to avoid this movie at all costs.
  • Mirrors – Jack Bauer sees terrorists in the mirror. Or something like that.
  • Star Wars: The Clone Wars – George Lucas goes on a quest to find more money for his single 30-year-old good idea.

On Video:

  • Smart People – The chick from Juno runs around with a bunch of smart people. It could be good, it could be typical indie pretentiousness. I’ll give it a whirl.
  • CJ7 – Stephen Chow’s (Shaolin Soccer, Kung Fu Hustle) latest. The trailers confused me and it got mediocre reviews, but his other movies were so good, I stuck it in the queue anyway.
  • How the Garcia Girls Spent Their Summer – Ugly Betty spends a summer with some other girls doing their makeup or doing their nails, or having pillow fights or something. I remain completely uninterested.

Favorite Video Friday – Throwbacks

This week: Throwbacks.

The Teenagers – Make it Happen

When did the 80s become so cool? Either these guys are subtle masters of irony, or completely full of themselves. Either way, this video is pretty sweet.

Flight of the Conchords – Ladies of the World

Sometimes I wish I grew up in the 70s. I would totally be roller disco champion of the world. I’ve already got the afro, now I just need a Delorean and a crazy old man friend.

Sonny J – Handsfree (If You Hold My Hand)

And we finish off with a throwback to the greatest music video of all time: Thriller. This video is awesome on so many levels I can’t even comprehend it’s awesomicity. Best Music Video of 2008!

This Week in Movies – 8/4/08

In Theaters Friday:

  • Pineapple Express – Seth Rogen and James Franco play stoners on the run in another Judd Apatow flick. Think Dazed and Confused meets Hot Fuzz meets Cannonball Run. Don’t you hate it when people breed movies? Should be funny, unlike this commentary.
  • The Sisterhood of the Traveling Pants 2 – Those have got to be some nasty smelling pants by now.

On Video Tuesday:

  • Nim’s Island – Another fantastical movie geared towards kids. I say skip it and watch Willow instead.

Favorite Video Friday – Surprisingly Morbid

This week: Surprisingly Morbid

Gnarls Barkley – Who’s Gonna Save My Soul?

Oddly, this video reminds me of The California Raisins.

She & Him – Why Do You Let Me Stay Here?

Zooey Deschanel will forever haunt my dreams.

Kanye West – Flashing Lights

Megan and I listened to this song all the time in New York… luckily, we don’t own a shovel or that might frighten me. I’ve said it once, and I’ll say it again. Spike Jonze is a genius.

Review: The Dark Night

Be warned, this is not a film about Batman. It’s not about the Joker either. If you have to pin it to anyone, I would say the main character of this film is the city of Gotham. More than that though, this is a film about solitude; a film about one tiny pebble in a vast ocean of problems; maybe even two pebbles.

Solitude is a common theme in the films of Christopher Nolan. He addressed it with Memento; then went even deeper with Insomnia. He toyed with it in Batman Begins, and you’ll even find it in The Prestige, but it wasn’t until The Dark Night that he really brought it home, and IMAX made it twice as powerful. The majority of the movie is filmed in standard 35mm, but a few choice scenes were filmed on IMAX cameras, using 70mm film, giving Nolan twice the scope possible with the rest of the movie. These scenes were not picked willy nilly. Every scene filmed in IMAX consists of either a lone Batman (Christian Bale), or a lone Joker (Heath Ledger), sometimes together, doing their thing – two solitary forces trying to affect a gigantic 70mm world.

These scenes enact what amounts to a few small ripples in the lake of problems affecting Gotham City. Crime is at an all time high and Batman can barely keep up. Out of nowhere, a new kind of villain shows up and turns the city upside down – the Joker. These two opposing forces make small jabs at society – one for its good; the other for its demise, but as long as these forces are acting on their own, society remains largely unaffected and right back where it began. It is only as these characters learn they cannot do it on their own that they start to see some change, and Harvey Dent (Aaron Eckhart) is the key to this change. He is the only one that can rally the city for good or for evil. Batman and the Joker are merely symbols for the city to embrace; two sides of the human ethos. It is when these two opposing forces realize this that the movie really takes flight.

Believe all the hype. This movie is THAT good. The acting is superb. Ledger is as amazing as everyone says. My friend, Kyle, said that Bale gave the weakest performance, but even his performance was leaps and bounds over anything else in the theaters right now. That’s saying a lot, and it’s true. Each character brings his/her own deep story with him/her, which Nolan places perfectly in the dark, lonely world he has created, then he adds a whole new level – IMAX, bringing twice the power to his themes and in turn, twice the power to the film. If you haven’t seen this film on the IMAX screen, you haven’t seen it.

Watch it, then watch it again.

– 4,346,527,918 arbitrary stars